Pigments on wood. A series of system compositions examining the relation between the spatial surfaces and colours in a grid like relation to the classical use and understanding of the concept of the Eikon. Focusing on the immediate boundaries of the given piece of wood, the works aim to preserve and display their inherent form and condition, in a what you see is what you get kind of gesture that allows for shifting levels of abstraction and imagination. If the works have nothing more to say, they can be used as firewood. 

Photography Laura Stamer